Ji Hyang Ryu is a Korean-Canadian visual artist, muralist, and educator based in Riverview, New Brunswick. She is the founder of Ji Hyang Ryu Art Studio & Gallery, where she teaches over 100 students and leads community-based art initiatives.

Her journey into art started early, in a slightly unexpected way. When she was six years old, she bought a chick from a street vendor and began live sketching and painting it. That moment sparked a lifelong habit of observing and capturing life through art.

After working at the Moncton Hospital for seven years, Ji Hyang transitioned into a full-time artist in 2020. The COVID pandemic was a turning point. It made her realize how short life is and pushed her to fully commit to living the life she truly wanted as an artist.

Her work explores identity, belonging, and cultural connection, often bridging her Korean heritage with her Canadian experience. Through portraits, murals, and community projects, she creates meaningful work that connects with people on a personal level.

Tell us a little bit about yourself and what sparked your interest in the visual arts.

I started painting when I was six years old after buying a chick from a street vendor. I remember sitting there and sketching it like it was my first model. That small moment turned into something much bigger.

By the age of seven, I was already sketching the human figure, and my mom enrolled me in art classes every single day. In high school, I spent about three hours a day in art classes. Art was always part of my life, and I was constantly sketching.

I have always been drawn to observing people and life closely. Art became my way of understanding the world and expressing what I feel, and that has stayed with me ever since.

What inspires or excites you in your work?

People and stories inspire me the most. I am excited by connection. When someone sees my work and feels understood or comforted, that is the most meaningful part of being an artist. I also feel energized when I create large-scale work that transforms a space.

Describe your creative process, from idea to finished work. Can you explain how a painting comes to life?

It usually starts with a strong emotion or a story. I collect references, sketch loosely, and think about composition and color. Once I begin painting, I stay flexible and let the work evolve. I build layers slowly, especially with oil, until the painting feels alive and balanced.

You explore self-portraits in your work. What have your self-portraits taught you about yourself? Do certain pieces mark specific moments or transitions in your life?

I use myself to express my culture because it feels the most honest. I am both the subject and the storyteller. And yes, I am also a free model. My self-portraits capture different stages of my life, reflecting growth, challenges, and my ongoing journey between cultures.

What is your favorite medium or format to work with, and why?

Oil painting is my favorite medium because it allows me to express depth and emotion more easily. It is very versatile, and I feel most comfortable working with it. I also enjoy watercolor, but I naturally return to oil because it gives me more freedom in my process.

How has your personal experience or upbringing influenced your work?

Growing up in Korea and later building a life in Canada has deeply influenced my work. I often explore the feeling of being between cultures. My work reflects both where I come from and where I am now.

What subjects/themes do you find yourself consistently drawn to?

Identity, culture, connection, and human emotion. I am also drawn to community and storytelling through portraiture and public art.

Can you describe a painting or series that you're particularly proud of, and why?

I am very proud of my “Culture Bridge” series. It represents my journey as an immigrant and how I connect my Korean roots with my life in Canada. It is personal, honest, and meaningful to many people who share similar experiences.

How do you overcome creative blocks or moments of self-doubt?

I do not really experience creative blocks because I treat art like work. Whether I feel inspired or not, I show up and keep going. Discipline matters more than motivation. I have so many ideas and projects that time is my biggest challenge. My only regret is not starting my art career earlier.

What has been your biggest success and/or biggest mistake in your journey as an artist, and how did you grow or learn from that?

One of my biggest successes is building a full-time career as an artist and educator. I have also been fortunate to receive a grant from the Canada Council for the Arts, and to have my work collected by the Canada Council Art Bank and the federal government.

A mistake I made early on was undervaluing my work. Over time, I learned to respect my time and skills. That shift helped me grow both creatively and professionally, and allowed me to build a sustainable career in art.

How has living and working in New Brunswick helped and/or inspired you on your journey?

New Brunswick has a strong and supportive community. I have had many opportunities to create public art and connect with people. The landscapes and communities here continue to inspire my work.

How has your journey as an artist evolved over time? Were there key moments or experiences that shaped how you work and create today?

Leaving my hospital job to become a full-time artist was a major turning point. Starting my studio and teaching students also changed my perspective. It pushed me to grow not only as an artist but also as a leader and business owner.

Describe what you are most proud of in your career.

I am most proud that I built a life through art and that my work helps people. Seeing my students grow into artists means a lot to me. I also proved that you do not have to struggle financially to be a full-time artist. You can build a sustainable career, support your community, and inspire others at the same time.

What would your dream project look like?

A large-scale national or international public art project that brings communities together. I would love to create something that represents diverse cultures and shared human experiences.

What advice would you give to an emerging visual artist?

Save money. Learn how to invest. And work every day.

Being an artist is not just about talent. It is also about discipline and making smart decisions. If you can manage your finances and stay consistent, you can build a real career doing what you love.